
Villagers are searching for an amateur artist who ‘renovated’ a more than 200-year-old shrine in Poland.
Jesus and the Virgin Mary are depicted in the 1820 shrine, which is a registered monument in Studzionka, a small village in southern Poland.
But recent photos of the monument pointed out that it had been repainted – with the artist even signing their initials, ‘J. Cz’.
Pictures of the shrine went viral when former monument conservator Monika Bogdanowska shared it on Facebook.
The Virgin Mary looks particularly shocked with her new paint job – her eyes darting to the side while clasping her hands.
Her skin colour appears more like that of Marge Simpson than the Madonna.
‘Another display of “good intentions”. A renovated roadside chapel from the town of Studzionka. It is enough to imagine that it was good, sculptural work, unfortunately very tarnished with thick layers of paint,’ wrote Bogdanowska.
‘The cross stands in the middle of nowhere – there are no trees, which greatly changes the context of the chapel.


‘The author of the photos alerted the conservation services about the matter, let’s hope that in the near future it will be possible to subject this valuable object to professional conservation because it deserves it.’
An inspection into the damage caused to the shrine is currently underway by local authorities, who said: ‘We are not dealing here with a case of vandalism, we are dealing with a case, quite common in smaller, local communities, of a shrine being restored in an absolutely unacceptable way.
‘Unfortunately, this has led to the devastation of the monument.’


It could have been worse. In 2012, a woman in her eighties attempted to restore a fresco of Jesus Christ in Zaragoza, Spain – but it looked like ‘a hairy monkey in an ill-fitting tunic’.
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The pensioner made an unauthorised attempt to transform the prized painting after it had deteriorated due to moisture.
Ecce Homo (Behold the Man) by Elias Garcia Martinez had been residing in the Sanctuary of Mercy Church near Zaragoza for over 100 years when the woman snuck into ‘restore it’ by herself.
The once dignified portrait soon resembled a child’s sketch, a creature from Planet of the Apes or, as one onlooker succinctly put it, ‘a hairy monkey in an ill-fitting tunic’.
While the fresco was not thought to be especially valuable, it holds high sentimental value for local people.
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